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Writer-producer Alan Ball’s sublimate Six Feet Under was care AN upgraded variant of his movie American Beauty, replacing his shallower and glibber provocations with real number character development and a sense of humility. Here and Now, on the other hand, was like Ball disagreeable to tack together AN entire show come out of entirely the ungainly “relevance” atomic number 2 cut out of Six Feet Under. Even the style is embarrassingly presumptuous: Here and Now, as In, “This is what really matters indium our worldly concern nowadays.” (Alternate title: This Is Us: The Unrated Director’s Cut.) Tim Robbins and Holly Hunter do their best, playacting an upmarket liberal couple with antiophthalmic factor racial foster family. But arbitrarily descending references to coeval mixer issues wasn’t sufficiency to make this drama sear, and the series’ teases of some supernatural explanation for its slow down -paced potboiler plat was scarcely beguiling enough naughty games flash to accost viewers.